Tuesday, 5 June 2018

Monday, 4 June 2018

LO3: Evaluation

Evaluation :

Having worked toward our brief as set by the client , it is clear to see how our script has met the requirements based on the wants and needs of the client and how this works in conjunction with codes and conventions of a show of this genre. Our show to adhere to the outlined requirements had to have the following things :


  • Presenters/voice actors
  • News Bulletin
  • Feature/interview/narrative 
  • Jingle/theme music
  • Bedding Music / sound effects
  • Original advert
  • Competition/ social media links

When writing our script , I took these factors into consideration and ensured that each one was written in with precision so that it resembled a radio script visually like one I had evaluated in LO1 and in my chosen genre - magazine talk show.

Having received feedback from our client we learnt the strengths and weaknesses of our script throughout, one of our greatest strengths was that the script as a whole wasn't too long or too short which gives the client a great indication of how the show would run - they also said that it was great that each presenter spoke in turn as to not effect the running of the script - this was something that we saw in LO1 when looking at the example script from BBC radio Sheffield . In terms of aesthetic and layout, the presenters were justified to the left of the script as per convention making it clear how we adhered to not only the clients needs but the general codes and conventions of this type of script. Another strength given in our feedback from the client was that the dialogue fit the purpose of the script and genre, I ensured when writing the script to include some local dialect , phrases and slang which would be understood by the local community and those who live here such as 'put your big coat on' and 'you'd be daft not to' , this gave our script a peer to peer mode of address making it chatty and easy listening for the audience - it was said that this made our script more relatable for the audience showing how I have written the script in accordance to codes and with the purpose in mind . Our script was intended to entertain therefore this relaxed feel has made it much more enjoyable as the listener will believe they are a part of the production. This is something which is particularly common with shows on Hallam Fm of the same genre.


Some weaknesses of our script were that we hadn't taken into consideration that the show has little funding and organised a cash give-away as part of the dialogue - on reflection and suggestion from the client we realised that we have got very little disposable income for this kind of competition due to the nature of the show being local therefore with little paying advertisement. To amend this and then make the script more suitable, I decided to make it so that a local restaurant was giving us vouchers for one lucky listener and then the chance to win tramlines tickets - these are the kind of things which relate back to our show being local and this also shows how we haver evaluated our clients feedback and acted upon it to make the script more suitable for the brief. Another weakness of our script which was picked up on by the client was that we failed to introduce the presenters which could be confusing for the listener especially as this would be the first show from these broadcasters therefore we added a section at the top of the script which introduced each presenter in turn so that the listener felt personally addressed by each member of the team. This is something which is common in these types of show therefore will show how we have effectively adapted our script to not only meet the clients needs but the expected conventions of this type of script.


When looking at the example script given by BBC radio Sheffield , there were several conventions in terms of layout which I picked upon and then reflected upon in our own script, each element of the script was justified correctly for example the presenters names and time codes to the right and then dialogue and sound effects to the left - by following this convention , it would make it easier for a production team to understand and act upon in a working environment - this also makes it easier for the presenters to understand as this is how the majority of professional scripts would appear. In terms of content our show contains everything which would be expected in this genre of show ; a competition, phone in / interview, music , sound effects and a jingle. All of these elements are justified to the right of the script with things such as effects and jingles written in bold red as per convention this shows how we have thought about the content of our script appealing to the target audience as these are the kind of features they expect to see on shows such as this which have already proved to be a hit with stations such as Hallam FM.

In conclusion I believe that our script effectively meets the brief and has all the codes and conventions of this genre of show.

LO2: Production Plan



LO2: Meeting Minutes

WEEK 19th-26th





WEEK 26-2nd April




WEEK 16th April - 23rd April



WEEK 23- 30th APRIL



LO3: production of script








The style of script we have chosen for the production of ONE20 FM is a magazine talk show, therefore there is sections on celebrity gossip, news , weather and music which is deemed popular with the target audience we are aiming for which is a common convention of this genre of show. The script follows all the conventions in terms of style and layout as the example given by BBC radio Sheffield, as all of the content is justified correctly and visually looks like a professional script which would be important should the script go into production - our script however has been adapted to suit the needs of our target audience for example adapting the news stories to suit the age and demographic of the listener.

The content for our show follows conventions in terms of features , we have everything which typically found within this genre of show including news stories which have relevance to the people of Sheffield such as the current football scores and traffic information within the city centre which could potentially impact the listener should they be getting ready for their night out which is what we are focussing the show around. The dialogue within the show is put across using a peer to peer mode of address which gives the chatty laid back feel which Magazine shows are renowned for - the presenters will talk in their regional accent using dialect which will be understood and appreciated by the young target audience as it will make them feel more at ease with the presenters whilst also reinforcing the idea that this is a local show. Non of the factual features such as news and weather are made to feel tedious due to this mode of address which means its more likely for the audience to pay attention to these sections and realise how they may impact them.

As per convention , our script contains a competition feature which gives the listener a chance to text in their answer to a question aired on the show to be in with the chance of winning a voucher for a local bar and restaurant. This will entice listeners to text in and engage with the show whilst also promoting a local business - we have made the answers for the questions relatable to the local area by using the artists Arctic Monkeys as the answer will be known by most in the local area , this will get a lot of listeners texting in their answers which in turn will create revenue for the show which means the competitions can get better in terms of prizes and frequency of giveaways.

The majority of shows within this genre such as Hallam Fm have a set theme for each programme, we have chosen the theme of confessionals where the most embarrassing or relatable confession puts the listener in with the chance of winning tickets to a local festival. This will be a popular theme with our target audience as 16-24 year olds thrive on gossip stories which are funny and they can use them as a point of conversation with friends - this adds humour to the show making it more likely for listeners to want to tune in as they know it will be entertaining.

The main feature within our show is the celebrity gossip , this talks about popular celebrities common with our target audience such as the Kardashians and Cardi B - these celebrities are often found on reality TV shows and social media which are also common with our target audience. These are the kind of stories which listeners will tune in for as their lives are highly publicised within the media therefore people will know about them.

The narrative for our script bases mainly around the confessional aspect where listeners are able to phone in and have their input on the running of the show, the narrative follows the presenters as they introduce themselves in turn as this is a new show , this will be expected by the listeners. There will also be music throughout the show including current hits which will be popular with the target audience alongside throwback hits which may remind them of their childhood or early teenage years. This running order will be shown in every show which will make the listener want to tune in every week and then they will be come familiar with the way the show runs and soon begin to factor it into their day.

The genre of dialogue for our show is informal , using colloquial language and a peer to peer mode of address which is often expected in this genre of show and has been shown in the example scripts I have looked at including the Hallam FM ones which operate within this genre. The gossip section reinforces this idea of the show being informal as this is a common activity between friends which will make the show feel more personal.

During the production of our script each member of the team took a different role , I personally wrote the main body of the script making it relevant to the genre and mode of address typical of this genre of show . Evie Milnes wrote the news articles and used local online newspapers to source realistic stories which have happened recently which the listener will relate to and then Hannah Ibrahim wrote the advertisements to be used in the commercial break. This shows how we worked together as a team to produce the product.


Tuesday, 1 May 2018

LO3: Conventions

LO2: Codes and conventions (M1) 
Using your planning ideas and draft of your script, you need to EXPLAIN the conventions you have used/ going to use in the FORMATTING and LAYOUT of your script for RADIO – Use the research from LO1 analysis of scripts and BBC Radio Sheffield script to help you. 
RADIO TALK SHOW: Where are the following positioned in your script/ why are they important based on knowledge of scripts/ target audience/ radio talk shows: 
1. Slugline 
2. Margins and breaks 
3. Presenter names 
4. Timings 
5. Dialogue 
6. Music 
7. Sound effects 
8. Jingles 
9. Interviews/ features 
10. News 
11. Adverts 

SLUG LINE

The slug line in our script is justified to the top right of the page to inform the production team of the name of the show, the presenters who are involved in the script and the location of where the recording is going to take place ie: in the studio. This is an important element of a radio script as it gives an indication of who is going to be available for part of the production and where they need to be - this is similar to the BBC radio Sheffield script I have looked at previously as they have theirs justified to the top of the page in bold writing.

PRESENTERS

The presenters names on our script are justified in a column to the left of the page, this gives an indication of which presenter is talking and how long for. This is a convention that I have seen on the BBC radio Sheffield script , they keep their presenters names in turn at the left of the script page. This makes it easy for the presenters and personnel on set to read and understand who is talking at all times , especially as the presenters take it in turns.

MARGINS AND BREAKS

We have included several margins and breaks throughout the script to clearly define where the different elements of the script for example dialogue and sound effects begin and end . This makes it easier for personnel to read and understand the script as the information isn't intertwined. This layout will benefit all the people who use the script as they will be able to clearly define when each effect needs to be used in the queue.


MUSIC FEATURED

Music featured on the script for ONE20 will be featured regularly throughout the show after each segment such as news , weather , celebrity gossip and phone ins. These short previews of music will be played after the jingle to introduce the beginning of the song - we will use trending songs such as 'God's Plan' by Drake which will prove the intention of the show to start the listeners night off , this is the genre of music which is likely to be played in pubs and clubs. Following that we will be playing old school hits including Sean Kingstons 'Beautiful girls' - this will show our shows versatility and show how we have related it back to the conventions of this type of show , with Hallam FM as the example.


Dialogue

The dialogue throughout the script has been written to suit the area from which the show is being broadcasted for example using colloquial dialect from the area and sayings which those who live in Sheffield will understand. This is justified to the right hand side of the script, this is clearly divided up by the margins and breaks as mentioned before making it easy for the personnel to read and understand. The dialogue has been written with the target audience in mind as there are occasional interjections of local dialect and phrases such as 'you'd be daft not to' and 'You'll need your big coat'

Sound effects

Sound effects featured within the script are justified to the right hand side of the script , bold and in capitals making it easier for both the production team and presenters to read and understand. This would be most valued by the sound editors as it shows them clearly when and where the effects need to be played. This is a convention I have seen in the BBC script. Examples of the sound effects we have chosen are cash register sounds when talking about money as this is a sound the listener will associate with monetary gain and shopping which is what listeners would be able to do should they win the competition.

Timing

The timing for the script is one of the most important aspects of a script as it gives us an estimation of running time, our timecode are justified to the left hand side of the script beneath the presenters names so that we have an indication of how long it is going to take for each section to be said. This helps both the presenters and production teams and has proved useful for the BBC in their scripts as it helps the team stay on track and evaluate their usage of time throughout the duration of the show.


Interviews and features

As opposed to interviews and features , we have included a segment within our script which gives listeners the chance to phone in or use our social media handle to reach us and be a part of the show. This is a direct reflection of our target audience as the younger demographic of listeners are likely to enjoy listening to other peoples experiences - this is a convention of a magazine talk show as I have seen similar features on shows such as Hallam FM which have proved to be successful in the past. The purpose of our show is to entertain the audience therefore by including this segment we are showing how we have taken that convention and put our own take on it. The feature we have chose allows us to create a bond with our audience showing that we appreciate their input.



News


We have included in our script a news feature which gives the listener an update on the local news and weather , this was at the very beginning of our script to introduce the beginning of a new segment to the show - this is something we have taken from the BBC script and identified as a convention as this is something most shows as a transition to a new presenter/s . The stories which we have included within our news segment are relevant to our target audience as we only focus around the local areas weather and current events such as local teams football scores. This is similar to how BBC radio Sheffield operate as the script I looked at primarily shows how they introduced their show by warning locals of the adverse weather conditions for the area and which services were disrupted as a result.


Jingles

We have justified our jingles to the right have side of the script alongside the SFX and dialogue - this makes it the ideal location for the production team to read , understand and act upon and also for the presenters as it serves as a form of cue for the next song or segment. The jingles are too in bold, red capital letters to make them visible and easy for the user to understand. By including regular jingles we are following the conventions of a magazine talk show as this is something I have seen on shows of this genre such as Hallam FM. There will be separate jingles to introduce different parts of the show for example the news, station and music.